Centrum Informacji Turystycznej w Gryfinie
Galeria JEDNA/DRUGA 13 MUZ w Szczecinie
Galeria R+
Gryfino The town harf<p>The wharf itself is over 200 meters long and can accommodate around 30 vessels. On the other side of the bridge, to the north, there is a further waterfront boulevard. In the future, there are plans for a marine station for barges and small passenger ships. Smaller vessels will be moored at the floating platforms, which will be designed to cater for people with disabilities. The wharf is equipped with water and electricity. A building accommodating toilets and a boatswains office is also being completed, and in the future there will be a petrol station and equipment for sewage collection from the vessels. </p>
Harbor Gate<p><strong>Built in the 1720s, the Baroque gate is one of the two remaining city gates in Szczecin. It is currently the seat of the Chamber Theatre.</strong><br /><br />The Port Gate is one of the two city gates that have survived from the city's fortification line. The baroque building was erected in 1725-1727 according to the design of the Dutch architect Gerhard Cornelius van Wallrawe.<br /> <br /> The outer walls of the monument were decorated with sculptures by the French artist Bartholome Damart. On the one hand, we find a shield with the monogram of King Frederick William, who funded the construction of the building In the upper part of the building there is a gilded inscription in Latin, which proclaims the rights of the Brandenburg State to Pomerania and Szczecin. Above the inscription there is a panorama of the city and the god of the Odra River. Even higher there is an oval shield crowned with a crown with the coat of arms of Prussia.<br /> <br /> In the first half of the 20th century, a fountain was built in front of the gate with a Neo-Baroque statue of the goddess Amphitrite. During World War II, the decorations were dismantled and hidden in the Arkona Forest. At the end of the 1950s, the decorations were found and reinstalled on the gate.<br /> <br /> The Port Gate was previously known as the Berlin Gate because the road through it led to Berlin. The current name was given in 1945 so that it would not be associated with a German city.<br /> <br /> From 1976 to 2013, a Cepelia store operated inside Brama Portowa. Since 2015, the building has been the seat of a chamber theater.<br /> <br /> Brama Portowa was entered on the provincial list of monuments in June 1954.</p>
Kościół filialny pw. Bożego Ciała
Kościół parafialny pw. Narodzenia Najświętszej Maryi Panny w Gryfinie
Monument to Kornel Ujejski<p><span style="font-weight: 400;">Kornel Ujejski was born in Podole in Beremie, but quickly moved to Lviv. He traveled a lot, thanks to which he met Juliusz Słowacki, Joahim Lelewel, and Fryderyk Chopin, with whom he made friends. Kornel Ujejski is considered an outstanding poet of romanticism and an activist for the liberation of Poland from partitions. In addition to his bust, on a beautiful monument from 1901 there is also a lyre with torn shackles, which symbolizes the superiority of poetry over captivity. There is an inscription "Chorał" next to it. It refers to one of the artist's most popular poems. The author talks about the peasant uprising in 1846 and the so-called Galician slaughter. The poem mentions fratricidal fights and the conflict between the peasants and the nobility instigated by the Austrians. One can feel regret and faith in him, saying that even though the nation is suffering from historical injustice, it still believes in God. On the back of the monument there is an inscription "Be happy my nation". The monument came to Szczecin from Warsaw, where it was transferred from the Eastern Borderlands.</span></p>
Museum of Contemporary Art – branch of the National Museum in Szczecin<p><strong>The building, dating back to the late 18</strong><strong>th</strong><strong> century, originally served as the headquarters of the Szczecin Fortress garrison. Today, it is the seat of the Szczecin Museum of Contemporary Art, showing modern art pieces from Poland and abroad.</strong><br /><br />The Museum of Contemporary Art is located in the classicist building of the former garrison headquarters of the Szczecin fortress, built in the fourth quarter of the 18th century, and repeatedly transformed in later years. It served the military authorities until the end of World War II. In the 1970s it was handed over to the National Museum in Szczecin.<br /> <br /> In 1980, after adaptation, it became the seat of a branch of the museum related to contemporary art. Through cycles of temporary exhibitions, a program of popularizing and promoting contemporary art is implemented, based on its own collection (Polish and foreign art) and projects developed in cooperation with other institutions, organizations and artists in the country and abroad.<br /> <br /> In addition to presenting significant phenomena in Polish art, a regional program focused on the most important creative individuals in the region of West Pomerania, the museum coordinates the international program Mare Articum, under which it organizes, among others, The Baltic Biennale of Contemporary Art.<br /> <br /> The building is not adapted to the needs of disabled people - there is no elevator in the building. There are seven steps leading to the first exposure, without a handrail. There is one step in front of the entrance to the building.<br /> <br /> The building was placed on the provincial list of monuments in June 1954.</p>
Museum of Regional Traditions – branch of the National Museum in Szczecin<p><strong>The Museum of Regional Traditions is located in the old residence of King Frederick William I of Prussia built in the 1720. The museum shows archaeological and ethnographic exhibitions and has a collection of old and contemporary art.</strong><br /><br />The Museum of Regional Traditions is located in the baroque Palace of the States Parliament, built in 1726–1727 at the request of the Prussian king Frederick William I. The building was designed by Gerhard Cornelius de Walrave (1692–1773), the author of the famous fortress in Kłodzko and the Szczecin fortifications. The palace served as a meeting place for the self-government of the Pomeranian Province, as well as the king's residence during his visits to Szczecin.<br /> <br /> Above the entrance there is the coat of arms of Pomerania, and at the top of the facade - the coat of arms of the King of Prussia against the background of panoplies (crossed elements of armament) and allegorical representations of the royal virtues: Justice (with a scale and a sword) and Prudence (a figure with a mirror and a snake). This arrangement of coats of arms was not accidental, it was supposed to reflect the subordination of Pomerania to the Kingdom of Prussia. The beauty of the building is enhanced by a rusticated façade, decorative window bands and an intricate balustrade of the balcony and external stairs. The attic space is limited by the slopes of the mansard roof. In the years 1885-1888 the building was expanded (an additional wing was built then, and the existing one on the side of Staromłyńska Street - extended).<br /> <br /> In the interwar period, the palace was rebuilt into the seat of the Pomeranian National Museum, and after the Second World War, the building was taken over by the Museum of Western Pomerania, now the National Museum in Szczecin. Its interiors mainly show monuments of Pomeranian art, incl. a portrait of Prince Philip I painted by Lucas Cranach the Younger and wonderful jewels of Pomeranian dukes from the 16th / 17th century.<br /> <br /> Permanent exhibitions:<br /> <br /> 1) Pomeranian Cabinet. In the mirror of coins, banknotes and seals<br /> <br /> The exhibition is divided into three parts. In the first room there are Pomeranian seals functioning in the city space from the fourteenth to the nineteenth century. These are objects that belonged primarily to the city authorities and offices as well as craft guilds. The content displayed in the fields of the seal relates to the economic, social, political and religious life of the city.<br /> <br /> In the second exhibition space, you can learn about the history of the issue of substitute money. The outbreak of the war and the difficulties resulting from the lack of coins led to the issuance of substitute money in the form of vouchers - the so-called notifications by unauthorized local government authorities and persons running a business. In the years 1917-1920, coins also appeared in circulation.<br /> <br /> The third room shows the role of the coin as a means of transmitting information. The exhibition reflects the history of the coin in Pomerania from the 12th to the 19th centuries. The beginning of this road is marked by the two-sided denarii of Pomeranian dukes minted in the 12th century; medieval coinage was dominated by municipal and Kamień bishops' issues; the modern period abounds in princely circulation and occasional issues, perpetuating signs that have been known for centuries. After the extinction of the Griffin dynasty in 1637, the divided principality found itself in two different currency areas. Its eastern part was closely related to the State of Brandenburg, while in the western part, the Pomeranian coinage was continued by the Swedish rulers. The last Pomeranian issues were established in 1808 in Stralsund.<br /> <br /> In the same room there are two treasures containing Pomeranian coins: the late medieval one from Pyrzyce and the modern one from Choszczno.<br /> <br /> 2) The golden age of Pomerania. Art at the court of Pomeranian dukes in the 16th and 17th centuries<br /> <br /> The collection of the Szczecin museum is the largest existing collection related to the patronage activity of princes from the Gryfit dynasty. The exhibition will feature paintings, sculptures and artistic craftsmanship. One of the most valuable objects on display is the 1541 Portrait of Philip I by Lucas Cranach the Younger. A unique monument of court culture is also the family tree of the princes of Western Pomerania, a 7-meter-long painting by Cornelius Crommeny from 1598, which depicts as many as one hundred and fifty-five people from the Griffin family. An extremely important part of the exhibition are the costumes and jewels recovered from the crypt of the Szczecin castle after the Second World War, with the famous diamond-encrusted egret (ornament of the hubcap) of Prince Francis I. The exhibition also features a portrait of Prince Francis I in the marches, borrowed from the cathedral in Merseburg, showing the prince in the same costume and with the same jewels that can be seen at the exhibition.<br /> <br /> 3) Old Silver<br /> <br /> The exhibition presents goldsmiths from the collections of the National Museum in Szczecin. The layout of the exhibition allows you to trace the fashions and trends in European goldsmithing from the Middle Ages to the Art Nouveau. Beautiful items made of precious metals also testify to the extraordinary skills of the old masters. The oldest monument is the legendary golden ring from Pęzino (Western Pomerania) from around 1200 - with the figure of a knight and an inscription that has not been deciphered so far. The oldest works presented at the exhibition also include liturgical vessels and utensils from the area of Western Pomerania. Table silver is the largest group of items on display. Among them, the rococo terrine (i.e. a vase for serving soups) by Johann Jacob Sandrart II, dating from the 1860s, stands out.<br /> <br /> In the "Old Silver" exhibition space, you can see "Gemma" with a profile image of King Stanisław August, which was donated to the Museum by Mrs. Marion George from Berlin.</p>
Palace under the Globe<p><strong>The Baroque palace in Orła Białego Square is currently the seat of the Academy of Art. It is also used as the venue for exhibitions, concerts, and other cultural events open to the public.</strong><br /><br />The Palace under the Globe was built in the years 1724-1725. It was designed by Piotr de Montarque from Languedoc in France. His associate was Filip Gerlach, who was an architect and founder of numerous churches in Potsdam and Berlin. The decorations were made by Johann Georg Glum (the royal court artist). The building was made in the baroque style. The materials used in its creation were stone and brick. The present form, however, is not the original construction, as it dates from 1890.Jest dziełem Franza Wichardsa.<br /> <br /> It is mainly characterized by an interesting avant-corps divided by four pilasters, topped with a tympanum with a globe (emerald in color) based on two lions. The globe is an element that stands out clearly from the beige facade. This is where the name of the palace comes from. The façade also attracts attention with its stone rustics and veneers.<br /> <br /> The palace was the seat of Filip Otton von Grumbkow (Chief President of the Pomeranian Province). The palace is famous primarily for the birth of Princess Zofia Dorota Wirtemberska, who became the Tsarina of Russia thanks to her marriage to Tsar Paul II (son of Tsarina Catherine II, also born in Szczecin).</p>
<p><br /> The building was once the seat of the "National" Insurance Company. Currently, it houses the Academy of Art. At the end of 2014, in November, the renovation was completed, including refreshing the facade, as well as reconstructing the decorative ceiling in the Rector's Gallery. The total cost of the renovation of the building was PLN 19 million, and it was possible to finish it, among others. thanks to the EU funds obtained for this purpose. Thanks to them, the Academy of Arts has an extensive Mediateka, a theater and presentation room, a winter garden with a reading room and art studios. The end of the renovation had its public celebration, during which there were, among others, students of the Academy, presenting their skills in various artistic forms. People who were at the show at the time could go inside to see the new décor of the Academy. Plac Orła Białego is an extremely representative place, and hiking tours organized by local guides often set off from the university building.</p>
Parish Church of Holy Trinity in Kołbaskowo<p>Parish Church of Holy Trinity in Kołbaskowo is on the route from Szczecin towards Rosówek. Driving along national road no. 13, at the intersection behind the Commune Office, turn into the street, which is also the road leading to Moczyły. The church is situated next to the public transport stop for buses no. 70 and 81 running to the center of Szczecin. There is free parking in front of the main entrance to the temple grounds. The church is surrounded by a high stone and brick wall, which houses the entrance gate. Behind the wall, on the left, there is a large mission cross, and on the right, there is a church chapel - a small stone grotto, in which a statue of the Virgin Mary is hidden.</p>
<p>The church of the call of the Holy Trinity in Kołbaskowo belongs to the deanery of Szczecin-Pomorzany, in the archdiocese of Szczecin-Kamień. Medieval Kołbaskowo, located today on the Polish-German border, has retained the character of an oval-type Slavic village with a church in the middle. The origin of the settlement is confirmed by a document in which prince Barnim I in 1243 granted the surrounding lands as an endowment to the Cistercian monastery from Szczecin. In 1286, the monastery became the property of the village, and most likely it was then that the construction of the first House of God began. Sources show that in 1304 the Szczecin Cistercians took patronage over it. The late Romanesque temple was a rectangular room and originally did not have a tower. The one, in a half-timbered structure, was added only during the modernization in the 18th century. In 1950, the church was reconsecrated, and on June 1, 1951, the Holy Trinity parish was established there.</p>
<p>The rather narrow interior is covered with a wooden beam ceiling. The chancel is slightly raised upwards and houses a baroque altar from the 18th century. Moreover, the church has a wooden Gothic gallery and two bells from 1600 and 1705.</p>
<p>Services schedule: Sun. 8:00 a.m., 12:00 a.m., Mon. 9:00 a.m., Tue.-Sat. 6:00 p.m. Indulgence: Holy Trinity.</p>
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Pałac pod Głowami
Red Town Hall<p><strong>The New Town Hall, also known as the Red Town Hall, was built in 1879. Its architectural style was strongly influenced by Gothic architecture. The Red Town Hall is currently the seat of various public institutions, including the Maritime Office.</strong><br /><br />The New Town Hall, also known as the Red Town Hall, was erected in the years 1875 - 1879 according to the design of Konrad Kruhl, a councilor from Szczecin. The object refers to the Gothic style. The building was erected on a slope, on a rectangular plan. At the corners and in the central part on the side of pl. Batory there are projections. On the eastern side there is a terrace and two-flight stairs - the whole was to emphasize the representative functions of the building.<br /> <br /> The entrance from the west is decorated with an arcaded portico and sculptures on pillars that symbolize "Industry", "Agriculture", "Sailing" and "Knowledge". The property is also decorated with balconies and turrets. Inside the building there is a rib vault. In the building we can also find the coat of arms of Szczecin from 1660, which was moved to the Red Town Hall from the old one and embedded in the wall. The building was the seat of the city board until 1945. Today, the building of the Red Town Hall houses, among others Maritime Office, Polish Chamber of Foreign Trade, Maritime Council at the Provincial Court, Design Office of Maritime Construction, Institute of Meteorology and Water Management.<br /> <br /> The town hall building was entered on the provincial list of monuments in June 1993.</p>
Self-service bicycle repair station
Skatepark w Przecławiu, gm Kołbaskowo<p>Skatepark w Przecławiu jest obiektem ogólnodostępnym, korzystanie z niego jest nieodpłatne. Powierzchnia obiektu wynosi ok. 1000 m<sup>2</sup>. Skatepark wyposażony jest w różnego rodzaju przeszkody – najazdy czy też zeskoki umożliwiające wykonywanie zróżnicowanych trików. Na terenie skateparku obowiązuje regulamin, który umieszczony jest przy obiekcie. Obiekt nie jest bezpośrednio oświetlony, dlatego też dostępny jest wyłącznie w ciągu dnia.</p>
Stanisław Staszic Pomeranian Library<p><strong>Built in 1905 as the Szczecin Municipal Library, between 1907 and 1945 the facility was headed by Erwin Ackernecht who gathered an impressive collection of books from the Western Pomerania. Operating under its current name since 1994, the library not only borrows books, but also organizes various cultural events.</strong><br /> <br />The Pomeranian Book Collection is located at Podgórna, approx. 1 km from the railway station. People traveling by car can park their vehicle in the immediate vicinity of the library (paid zone). Tram no. 3 stops nearby on Tobrucki Square. The Book Collection is close to Wyszyńskiego, which is one of the main communication routes in Szczecin.</p>
<p>The Book Collection was established in 1905. It owes its development to Erwin Ackernecht, who merged book collections from all over West Pomerania, placing them in the edifice of one building. Over the years, the library had been supplemented with new collections, thanks to which in 1994 its statute was changed from a Public Library to the Book Collection. The Book Collection is divided into several sections. They are the Information Center, Main Lending Room, Inter-Library Lending Room, Main Reading Room, Youth Reading Room, Pomeranian Study Room, Special Collections, Music Lending Room, German, and Economic and Legal Information Reading Room. The Book Collection hosts numerous exhibitions, lectures, and cultural events. It also publishes its own publications. Computers are available free of charge, and numerous places where you can read books, write works, etc. in comfort.</p>
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Szczecin - former Municipal Theatre<p class="p1">Archival photograph showing the Municipal Theatre – in its years of existence, it was considered one of the most modern facilities in Germany at the time. It was slightly damaged during the Second World War and, despite the chances of reconstruction, it was demolished in 1954. To the left is the Church of Saints Peter and Paul and to the right is the tower of the Pomeranian Dukes' Castle.</p>
Szczecin underground routes<p><strong>The deepest section of the Szczecin underground is located five stories below the ground level. The historic air raid shelter inside is one of the largest in Poland, with a capacity of 5 thousand people. Apart from the shelter, you can also see the exhibition on World War II, the Cold War, and the Polish People’s Republic period.</strong><br /><br />While visiting the railway station in Szczecin, tourist can explore the air-raid shelter from the time of the WWII. Its lowest part goes 5 floors underground. Visitors can pick one of the two sightseeing routes: the World War II-route (which gives insight into the situation during bomb attacks from the period between 1944 or 1945) and the Cold War-route (it shows part of the shelter which after the WWII was transformed into a fallout shelter).</p>
<p>Ticket prices:</p>
<p>- normal ticket - 24 PLN</p>
<p>- reduced ticket - 19 PLN</p>
<p>- family ticket - 58 PLN (2 adults + 2 children)</p>
<p>People entitled to reduced tickets include: school children, students, pensioners, retired people, disabled people, children older than 6 years old.</p>
<p>Children under 5 are free of charge.</p>
<p>In case of bigger groups (above 14 people) a special transmitter can be rented, which helps reduce noise level or any possible disruptions.</p>
<p>No special reservations need to be made, regardless of the number of visitors.</p>
Teatr Kameralny
The Old Town<p>Gryfino was originally a medieval fishing village. Gryfino received civic rights in 1254. The most intensive development of the town occurred in the thirteenth-fourteenth century. To defend the town against the attacks of Brandenburg, a double wall made of wood and earth was built at the end of the thirteenth century, and town walls were erected in the fourteenth century.</p>
<p>Only a few fragments and the Bańska Gate remained from the line of fortifications. The fragment of the walls in the south-eastern part of the town (approx. 70 metres) is looks best.</p>
<p>The Old Town of Gryfino has retained its medieval street layout with a market in the centre. At the main square, You can find the Romanesque church of the Nativity of the Blessed Virgin Mary, which was built between 1254 - 1278 and rebuilt in the Gothic style at the turn of the fifteenth and sixteenth centuries. The church of the Nativity of the Blessed Virgin Mary is one of the largest ones in Western Pomerania. It was built on a Greek cross plan. The top is adorned with a neo-baroque tower with a cupola and lantern. Inside the building, You can find the stellar vault and a Renaissance pulpit dating from 1605. The most valuable element of the church is the 1580 altar by David Redtel. Today, a part of the altar (the altarpiece) is in the National Museum in Szczecin, a predella depicting the Last Supper has still remained in the church. The present neo-Gothic altar dates from the nineteenth century. The organ, which can be found in the church, is the work of a famous manufacturer from Szczecin - Barnim Grüneberg.</p>
<p>At the intersection of contemporary Pierwszego Maja Street and Sprzymierzonych Street, there is a historic post office building from 1883. The location of the post office is not accidental and is connected with the launch of a Kostrzyn-Szczecin railway connection in 1877.</p>
<p>Unfortunately, Gryfino suffered a lot during the fighting in 1945. Most of the historic buildings were destroyed. The Old Town of Gryfino was inscribed on the list of monuments in October 1955.</p>
The town walls<div>
<p>Gryfino was granted civic rights in the second half of the thirteenth century. The then rapid development of the town led to the decision of building the town's fortifications. First of them, built in 1284, were double ramparts made of wood and earth. Then, the construction of stone and brick fortifications was started, and was completed in the fifteenth century. At the end of the fifteenth and the beginning of sixteenth centuries, it was decided to strengthen the gate (foregates were added).</p>
<p>After the work was completed, the full line of Gryfino's fortifications consisted of 32 rectangular look-outs, which were slightly beyond the walls, with the space of 20 - 25 metres between each one; and one cylindrical tower. To the city led two gates – the Szczecin Gate, which was set from the north and the Bańska Gate that guarantees entrance from the south side. In addition, three water gates were built from the Oder's side. The safety of the town was also improved by the moat around the walls, water to which was taken from a nearby river. Gryfino's fortifications survived until the seventeenth century. In 1640, Swedish army destroyed the walls from the side of the Oder. The western part of the fortifications was totally destroyed by the floods that occurred in 1780 and 1830. At the end of the eighteenth century, it was decided to dismantle the foregate.</p>
<p>Today, only small fragments of walls with remnants of the look-outs on the south and north sides are preserved in Gryfino. At today's Bolesław Chrobry Street, we can find the only preserved Gothic gate - brama Bańska [the Bańska Gate] (formerly known as brama św. Jerzego [St George's Gate). At the end of the nineteenth century, the gate was close to being dismantled due to the expansion of the town. Because of the fact that the City Council declared it a monument in 1864, the building remained intact. In 1888 the building was renovated, and in 1979, during the next overhaul, the battlements of a gun terrace were reconstructed.</p>
<p>The south elevation of the Bańska Gate, just above the crossing, is decorated with ceramic blinds. In the northern elevation, there is an ogival blind above the crossing. In the western wall, there is a bay used as acting as a latrine - the so-called dansker. There, loopholes and semi-circular windows can also be found.</p>
<p>Gryfino's medieval fortifications were built of granite boulders that were cemented with clay-lime mortar. The boulders were arranged irregularly. Part of the walls formed from bricks was in monk bond. On the south-east side, there is the longest part of the preserved medieval fortifications. It is about 70 metres long.</p>
The town walls in Gryfino were written into the list of monuments in September 1958
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Tourist Information Centre in Szczecin<p><strong>Located in the glass pavilion in the Flowers Avenue in Żołnierza Polskiego Square. Open all year round.</strong></p>
<p>The Tourist Information Center is located at Żołnierza Polskiego Square (glass pavilion in Aleja Kwiatowa).</p>
<p>At the Tourist Information Center, you can get information about the tourist offer, as well as information on culture in Szczecin and the region. You can buy maps, guides, books, and albums related to the history and culture of the city and the region. At the Tourist Information Center, you can get help in contacting travel guides and tourist guides.</p>
<p>Opening hours: Monday - Friday: 9:00 a.m. - 5:00 p.m. Saturday: 10:00 a.m. - 2:00 p.m. in high season (June-August) and Saturday: 9:00 a.m. - 4:00 p.m.</p>
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TWORZĘ SIĘ (galeria sztuki dla dzieci i młodzieży)
Zespół budynków dawnej komendantury
Zespół budynków Straży Pożarnej
Zona Sztuki Aktualnej - galeria Akademii Sztuki w Szczecinie
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